This was a passion project for its director, Bill Platt. I worked closely with him to craft a score that thematically supported the gravity of the history of his main character, Lilith. Bill referred to her as the first Jewish superhero.
I added some female vocalists to the orchestra: one for the light human side of Lilith and one for her demonic alter ego. In the latter portions of the film they mesh and sing themes together in counterpoint.