Did I mention I’ve scored a LOT of horror/sci-fi? This film required a more contemporary approach to the score than many of these have and was less horror-oriented and more geared towards the “sci” end of sci-fi. I really enjoyed working with the director, Tibor Takacs, on this film. We spent a great deal of time together going and spotting process, and that led to a more collaborative feel than is sometimes possible with TV movie schedules.
The “villain” in the film has a very distinctly electronic sonic presence, so the score was designed to support the “tech feel” of the film without interfering with the “tech sound” of the film. I knew my sound mixer friends would appreciate that!
