Producer Richard Titus brought me in to work on this documentary, primarily as a music editor, during the last days of post. While music editing is not something I normally do, I wanted to work on a project with the filmmakers, Dean Devlin and Chris Paine, and really liked the idea of this film and wanted to be a part of it.
Happily, during the post-midnight editing sessions, the need arose for additional music cues to be written and I was asked to provide them…quickly!
I enjoyed working again in the documentary format and learned a great deal about what, in fact, did happen to these hip cars.
